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4th July 2010

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Full-screen that.

I never know what I’m supposed to be looking at, and I love it.

Tagged: andrew wkprince of partiesfucking YESgetting into a serious thingholee shit

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3rd July 2010

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The Oblivians/Andre Ethier at The Knitting Factory

Just in case you missed it, The Oblivians, supported by Andre Ethier, put on a free concert Thursday night at the Knitting Factory. Although I’m not a big fan of corporate involvement in music, I guess I should show some appreciation to Scion for sponsoring the event, not only because I didn’t have to pay money to go, but also because they were giving out free Black Lips/Pierced Arrows splits, and I snagged two of them. So, that was cool of them. But enough shilling. Let’s talk about rock.


Andre Ethier, photo courtesy of my crappy phone camera.

Opening up the night was Andre Ethier, with whom I was pleasantly surprised.  To me, his set sounded like the psychedelic sounds of Bob Dylan. Ethier had the kind of stream of consciousness vocals that few people can really pull off, and when you hear someone do it right, it’s really something special. Whoever was on lead guitar duty that night was really driving it home. I’m hoping that’s not the last I’ll hear from Andre Ethier.


The Oblivians - another picture taken with my phone camera. Anyone want to be my photographer?

The fucking Oblivians. If you’re not with it, the Oblivians fucking rock. That’s all you should need to know in order to be caught up with what’s going on. They hit the stage, and annihilated for an hour and fifteen minutes before taking a couple of minutes off before the encore.  I lost count of how many songs they played (can you blame me? they’re all a minute and a half long) but I did manage to keep track of how many fights broke out: three and a half. That half fight was when a girl poured her beer out on a guy’s head… it would have been a fight, but they were both too scared to hit someone of the opposite gender. Of course, things never got past a bro-style “hold me back!” exchange, as the crowd seemed to be able to completely separate aggressive-types, so things only seemed energetic, not dangerous. Exactly what you want at a punk rock show.

Each member of the group got to have several turns leading things, and everyone seemed to know exactly what’s up. After their reunion tour last year, they seem to be in fantastic shape; the band rocked exactly as hard as I’d always hoped they would. When Greg Oblivian sat behind the drum kit so Jack O could have a turn on the mic, things got both sloppier and cleaner, somehow at the same time.  Greg’s drunken southpaw style on the drums was loads of fun to watch, and Jack’s songs had their own unique punch to them that I really appreciated; “Strong Come On” might be the best minute-and-thirty seconds of music of all time. For the encore, the guys brought up a friend to play some organ, and, of course, they continued to kick everyone’s asses.

If you ever get the chance, you need to see the Oblivians. They did mention they’d all just moved up to Queens, by the way… I’m hoping we’ll be seeing them around more in the future.

Tagged: strong come onstuck in thee garageBeing at a punk rock show always reminds me I need to have more sideburnsoblivianseconofuck youholee shitkick out the jams motherfuckermissgofuckyourself

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22nd January 2010

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Shining - 21st Century Schizoid Man
Blackjazz (Indie Recordings)

Imagine a collaboration between early King Crimson, Graveland, and Peter Brotzmann.  Sounds fucking amazing, right?  Well, listen to Shining’s Blackjazz and be amazed.

The guitars move from droning chords to wailing tremolo leads, the drums are thudding and tremendous, the vocals are screaming and intense in the industrial-metal style, with none of the hilarious heavy-metal growlings a la Deth-klok that you find so much in metal.  And the saxophone… yeah, there’s sax.  And it’s fucking great, in full free-jazz style, reminiscent of Mats Gustafsson or Ian McDonald.

Right from track one, “The Madness and the Damage Done,” Blackjazz is overflowing with power and energy.  Their cover of King Crimson’s “21st Century Schizoid Man,” is the only one I’ve ever heard which rivals the original in aggression, intensity, and musicianship.  And I can easily imagine zombies rising from the grave and slowly consuming the town before ripping me to pieces to the song “Omen.”  Those tracks, along with the sax face-melter “Healter Skelter,” stand out, but I think the whole album is fantastic.

The record drops on January 25th, and that’s when you should get it.

Tagged: darkness and also there is metalgetting into a serious thinghonkers and squeakersholee shituraaaaa

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14th November 2009

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I had no idea such a movie as Space is the Place existed.  I am acquiring a copy right now.

P.S. Nerds: Is that a Metroid?

Tagged: holee shit

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