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Send submissions (music, visuals, text, whatever) to anuncontrollableurge [at] gmail [dot] com. Some day, I will look at it. Address things to "David" because that's what my name is.
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Almost Funny
The Blasto Podcast
Clean Undies
Expressway to Yr Skull
End of Radio
Friendship Bracelet
Get Off the Coast
The Mummies!
Music is a Sin
The Mythical Good Part
Peace & Rhythm
Sex Sux (Amen)
SoundWord
Strange Light
Sweet Baby Lou
WMUA-FM91.1
WMUA Blog
Will You Be My +1?
The Year In Rawview
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You might be wondering what I’ve been doing instead of writing up music, like I should. I mean, I should be doing this more now, right? I’ve graduated, and I’m now unemployed.
Well, I’ve been doing some research. When not reading We Never Learn, Eric Davidson’s excellent oral history of garage punk, and catching up on all the garage punk I missed out on while watching Power Rangers and being five, I’ve been getting my fix of psychedelics. And since I’ve come across such an amazing bunch of finds lately, I figured I’d fill you in on them. Not like I’ve got anything better to do, really.
Girls in the Garage, Volumes 1 - 5

Though there are ten of these Girls in the Garage compilations, I’ve only found the first five (which you can grab by following the above link). Most of the stuff on these discs is a little more doo-wop than garage scuzz, but that’s cool too. Plenty of gems on this one, but my favorite track is definitely “Those Ever-Lovin’ Baby Blues” by the Id, found on Volume 1. It’s one of those “what the hell, babe?” songs for which garage music is oh-so well-fitted, and the vocals are killer. Don’t miss it, it’s the song of every lazy, bummer summer.
Terauchi Takeshi’s Let’s Go Classics

Thanks to WFMU for this one. Terauchi Takeshi is the king of Japanese surf rock, and this record is a collection of his fuzzed-out, psychedelic surf-takes on classical music. Each is nasty, but my favorite might be “In a Persian Market,” because it’s just a bit more out-there than the rest. If you go to the above link, you can get the whole record, and then follow the trail to get another record of straight surf by Terauchi.
Kayama Yuzo’s Black Sand Beach

Speaking of Japanese surf rock royalty, Kayama Yuzo’s ”Black Sand Beach,” which appears twice on the same-titled record found above, is another surf-rock masterpiece that I can’t stand not hearing at least once a day, since stumbling across it earlier this week. You may remember Kayama from this insanely incredible video, which I posted about a year ago (if you’re some weirdo who’s been following this than for a year… do those exist?). Too bad the song from that film never made it to vinyl, or so I hear.
Love, Peace, and Poetry, Volumes 1 - 9

I fully expected a compilation called Love, Peace, and Poetry to be absolute garbage, but I was happy to find that it totally annihilates. Each volume tackles some deep psychedelic cuts from a different area of the map, including the obvious American and British psychedelic scenes, and the more interesting scenes with which you might not be familiar. My favorite comps from this set of nine were the Brazilian and Turkish ones, but they’re all definitely worth checking out. Go for it.
That’s it for now. You’ve got some work to do.
Video with 1 note
Full-screen that.
I never know what I’m supposed to be looking at, and I love it.
Audio
[Flash 9 is required to listen to audio.]The Fresh & Onlys - Only One I Want
The Fresh & Onlys (Castle Face)

This CD, the Fresh & Onlys self-titled debut, came out a while ago, but was apparently misplaced at the station. It resurfaced recently, so I figured I’d give it a spin so we can get it into the stacks, since these guys have put out another pretty good record earlier this year, which we did receive and enjoy.
I’m glad I did. Front to back, it’s pretty much all sweet garage-rock/garage-pop awesometude. Cuts like “The Mind is Happy” and “Only One I Want” are heavy, riffed-out rockers - with the latter actually reminding me of a Dixie Dregs riff - and some touch upon the psychedelic, like “Love & Kindness,” which might also be described as almost… funky.
Basically the whole album rocks all the way through. It was put out by Castle Face, a label run by John Dwyer of Thee Oh Sees. You can’t go wrong here, so pick it up, if you get the chance. And while you’re out, see if you can find Grey-Eyed Girls, their follow-up to this album. Very cool.